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Every pattern

The hardest pattern is often the one we like best.

A pattern changes everything in a room: it widens it, lengthens it, calms it or sets it in motion. We master them all, and we draw the layout before the first slab is laid. Choose a pattern to watch it take shape.

Pattern

Material

Chevron

Planks cut on the bias, to the millimetre.

Read the guide
Grey marble-look 60 x 120 floor
Laid by BATI MAESTRO

Straight lay

Tiles are aligned in rows and columns, with continuous joints in both directions. It is the calmest pattern, and the most demanding for the eye.

Travertine bathroom, offset joints and a mosaic column
Laid by BATI MAESTRO

Offset lay, third or half bond

Each row is offset by a fraction of a tile, like a brick wall. A plank effect, in stone or porcelain.

Rotunda between two staircases, white and black marble chequerboard laid on the diagonal
Laid by BATI MAESTRO

Diagonal lay

Tiles are laid at 45 degrees to the walls. It makes a room feel larger and breaks up a narrow space.

Green tiled shower, herringbone pattern
Laid by BATI MAESTRO

Herringbone

Rectangular planks laid at right angles to each other in an offset zigzag. The classic for halls and living rooms, in stone or porcelain.

Chevron, point de Hongrie

Planks with ends cut on the bias, at 45 or 60 degrees, butted into a continuous line of points. Large rooms, perspective, classic elegance.

Travertine living room, opus romanum pattern
Laid by BATI MAESTRO

Opus romanum

A repeating composition of several formats, often four, giving an irregular look while staying modular. The pattern of travertine and homes with character.

Rough stone, irregular bond
Laid by BATI MAESTRO

Opus incertum

Irregular stone pieces fitted by hand. The most natural of patterns, and the longest to do well.

Black and white marble chequerboard hall around a spiral staircase
Laid by BATI MAESTRO

Chequerboard

Two colours or two materials alternating like a chessboard. The classic black and white marble entrance.

120 x 350 cm slabs, full height
Laid by BATI MAESTRO

Vertical or horizontal wall lay

The orientation of the long side of the tiles on the wall. Vertical to raise a ceiling, horizontal to widen a room.

Large marble-look slabs being laid
Laid by BATI MAESTRO

Book-match

Two consecutive slabs from the same block, opened like a book, with veins that mirror each other. The signature wall.

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